Here is the second part of the selection of pieces we liked in Eindhoven for the Dutch Design Week. Read the first part here.

Renske Rothuizen‘s Lemonade Factory was quite something and brought the childhood and playful world back to grownups kitchens. It was influenced by post-modern design (which was one of the leitmotiv of the show) and particularly, according to us at Hlow, Sottsass‘s micro Roman architectures such as the Pausania lamp for Artemide.

Still in the kids area and in post-modernists influences: The Odd Ones by Mandy van der Heijden.

Julian Jay Roux‘s Relativistic Surfaces were very impressive for all kinds of reasons: they worked incredibly well, you could really see all the colors of the rainbow into them, but at the same time they had a very glossy finish thanks to transparent glass at its surface.

Tanita Klein‘s Norm is a big shelve which has the proportions of a standing man with his arms spread. It is at the same time very structure oriented and quite post-modern in its shapes, the combinaison of circles and lines.

Woojai Lee‘s Paperbricks are an attempt to use the rests of paper for construction as “paper is among the most produced and most discarded materials in the world. It can be recycled, but not indefinitely: with every cycle the fibres grow smaller and the quality downgrades. ‘Paper Bricks’ are made from recycled newspapers. Sturdy and stackable like real bricks they combine a pleasing marbled look with the warmth and soft tactility of paper or wood.”

Alica Pola Knabe‘s Woven Warmth, meant to “to add some natural softness to our bathing ritual”.

The congratulated ATMOSPHERICAL POTENTIAL OF BOREDOM by Maxime Benvenuto is “a lexicon of words and notions related to boredom and (…) translated (…) into a series of material and visual elements. A hard, glossy, black tile for example, stems from the word ‘silence’. And a heavy steel cubicle hanging from a frame comes from the word ‘slow’. These 3D elements form a new language, revealing how boredom can be used to shape design.”

Emma Wessel‘s world is one of great continuity between fashion and design, one of vivid color and solid fabrics. Her project, a collection and its lookbook called Hide and Sleek, is simply incredibly beautiful.

In another venue of DDW, in a place called TAC we found this great Turkish project called The New Domesticity. Here is one of favorites among their pieces.

At TAC, there was also the statement piece of yet another Eindhoven Academy graduate Teresa Mendler. This piece was the starting point of a textile project called Merging Cultures, and shown at the Academy, but we at Hlow, fell in love with the piece in itself, this self-sufficient beautiful collage:

At the Kazerne, we were more than intrigued by two pieces: a wall of Pigments & Porcelain tiles by Alissa + Nienke and the Crystal vases by Isaac Monte.

At the Klokgebouw, we found two other great projects: one firm called Stone Cycling that creates a terrazzo looking new material out of waste, and very beautiful bookshelf made out of rough stones, called Material Depot by Mieke Meijer

We finished with the Van Abbemuseummuseum, where there was an incredible exhibition called Broken White organised by the Academy, once again, and I guess, there was many other great stuffs, but we had to put an end to this post. Anyway, Eindhoven is and still will remain one of the world centers of design.

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